Home Blog michaels Interview Sessions: William Watt
michaels Interview Sessions: Week 3 PDF Print E-mail

michaels ‘Friday Interview Sessions’ PART 3 - William Watt: Street Photographer

Street Photograher William Watt - Profile Picture Welcome to Part 3 in the michaels Interview Sessions. Today we are speaking with Melbourne street photographer, designer and entrepreneur, William Watt. Will is certainly no stranger to us at michaels but it his diverse range of photographic and artistic activities which compelled us to engage Will for a more intimate conversation. Here’s how it went down…

 

Hi Will, thanks for being part of the michaels Interview Sessions for 2011. Great to have a chat with someone who is obviously passionate about both photography and our wonderful city of Melbourne.

No worries, michaels has been a great help with my recent exhibition and I’ve really enjoyed working with you guys.

 

Let's start at the start. When did your love affair with photography begin? What sparked your interest and how long have you been working as a professional/artistic photographer?

My grandfather was an esteemed doctor, world traveller and passionate photographer - I missed out on the smarts but I think the other two traits have been handed down. Gramps entered (and won) a lot of competitions at the local camera club, and we always got a preview of the slideshow entries at family get-togethers. I was bored sometimes, but I think looking at so many of his shots early in life sparked an interest.

Mum & Dad had a Polaroid when I was little, which was the first camera I used, and a pretty easy way to get hooked. There were SLRs in the house growing up which I remember playing with but with pretty poor results.

When I bought my first digital camera (a 3.1 megapixel Sony Cybershot that cost over $3000) I became obsessed. That obsession grew again with my first DSLR about 5 years ago, and again after buying a 1950’s Rolleiflex to play with.

 

William Wall Street Photographer Image 1

 

How have you developed your skills and craft over time? Have you engaged in any formal training, learned from peers and photographic communities you are involved in or are you predominantly self-taught?

I’ve done a couple of short courses, but mostly I am self-taught. Commuting by bike means I can stop and shoot whenever something pops up and I think shooting on the street is great way to learn the craft, get an eye for light and improve your timing and skills.

Flickr was certainly a factor in it becoming more than a hobby. I realise now that it isn’t a great measure of quality, but when you are starting out a bit of encouragement goes a long way. I would look at photographs from around the world long into the night and the photographers I started following showed me you could photograph ANYTHING. There were really no constraints, so I hit the streets.

I met Dave Carswell (http://www.flickr.com/photos/davewell/) after I bought a lovely print of his and he has been a great help in teaching me the ropes of film photography. The photographers I have watched and met through online communities have been great and are constantly inspiring. Melbourne is one of the best cities in the world for photography and I think we make the most of it.

 

Well it’s fantastic you have had that form of mentorship and support. What would you say is the best advice you have received from another photographer over the years? Is there any one suggestion or piece of information that stands out as forever practical and useful?

Two quotes stand out for me:

“Sharpness is a bourgeois concept.” – Henri Cartier-Bresson.

“To me, photography is an art of observation. It's about finding something interesting in an ordinary place... I've found it has little to do with the things you see and everything to do with the way you see them.”
- Elliott Erwitt

 

These are certainly excellent role models in the world of photography and I can see how this has influenced your direction. As I understand it you wear many hats – A Google search of your name leads to a few websites. Tell us a little about 'Melbourne Street' and 'Megawatt Media?'

Melbourne Street is my daily photoblog, where I post one shot per day, usually taken during my bicycle commute through the CBD streets. I also feature other Melbourne photographers once a week (most weeks) on Feature Friday, which has been a great way to know Melbourne’s photographic community. A lot of people ask if each photograph was taken on the same day - they are not - but they are always fresh, within a week, which allows me some flexibility to try and present a series or theme. I also don’t want the site to become too event focused, which is a danger when trying to present something of interest everyday.

Megawatt Media is my freelance photography & design business that specialises in bars and restaurants. I like to be involved in a lot of different aspects of the presentation of a business, as it allows me a fair bit of freedom in what images I take and how they are presented. Being around amazing food and wine a lot of the time is a great perk too.

I also still work part time at Red Rock Leisure (doing the same kind of stuff). They have been awesome in providing me with the flexibility to pursue my interests.

William Watt Street Photographer - Image 2

 

 

Certainly a busy man, and in amongst all that you find time to exhibit! We recently had your street photography exhibition 'Melburnians' in the michaels Gallery for the month of September – one of my personal favorites here at the store, if I might add. Where else can we see your work? Are there other exhibitions on the agenda in the near future?

This sounds like a plug! Yep I have another exhibition planned for November 25th at The Owl and the Pussycat gallery in Richmond. It will include some of the work from the Michael’s show and some new unseen prints as well. It will also be the launch of the Melbourne Street 2012 Calendar and should be a good night.

 

With such variety of interests and activities how do you balance and manage your time?

The Internet has opened up the scary reality of being connected 24/7. The web is always ON, moving, changing, and there is always something new to learn, see, do, or participate in. I watched a video called YELP that woke me up to this phenomenon and caused me to start monitoring where my time was going. Now I take one day out of each week where I don’t use a camera, touch a computer, or drive my car. I unplug. I think that is a start. Having said that, synchronising everything with Google definitely helps time management!

 

William Watt Street Photographer - Image 3

 

 

We like to ask photographers the question 'What's in your bag' – being involved in a range of photographic specialities I imagine you probably have a few 'bags' depending on what shoot you're doing. Perhaps let's focus on your street photography. What are your tools and software of choice in producing these shots?

I almost always carry my Canon 5D Mark II with me - it is a fantastic workhorse and always comes up with the goods. For a street shoot I usually carry a 24-105mm lens, with either a 50mm f1.4 or 85mm f1.4 lens in the bag. If I’m heading out specifically for a shoot (as opposed to commuting) I’ll always pack the Rolleiflex with a few rolls of film, and often my little minolta SLR gets a run too. If I was better at it, I would probably shoot film for all my personal stuff, but I will still need the reliability of digital for a while yet.

 

Is there any particular piece of equipment you are yet to acquire, something on your wish list?

The Fuji X100 looks pretty cool. I had a play with one in Japan and I reckon it would be perfect for urban shots, as well as a simple camera for hanging out with friends and traveling. I would definitely want a film Hassleblad too.

 

 

William Watt Street Photographer - Image 4


This last question requires creativity and is being put to each photographer we profile; If you weren't a photographer what would you be? You can take an original photo, link to or provide some existing image or video, draw a picture - anything you like really so long as its visual!

I always wanted to be a voice over guy.

http://www.youtube.com/watch?v=ZB_hAVZLKE8&feature=related


Did you enjoy this Photographer profile? Join us on Facebook or Twitter for more profiles, photography news, tips and exlcusive giveaways!

michaels on Facebookmichaels on Twitter
 

Contact Us

 

AUSTRALIA:

Melbourne - (03) 9672 2222

Sydney - (02) 8004 7945

Brisbane - (07) 3103 1429

Perth - (08) 6102 6382

Adelaide - (08) 7200 3773

Darwin - (08) 8911 1262

Canberra - (02) 6176 0125

Hobart - (03) 6107 9442


NEW ZEALAND:

Auckland
- (09) 887 0479
We Can Help advertisement



michaels Camera Video & Digital
Cnr Elizabeth & Lonsdale Streets
Melbourne, Victoria, Australia

 

Inside michaels

Newsletter

Email Newsletter icon, E-mail Newsletter icon, Email List icon, E-mail List icon Sign up Today!
For Email Marketing you can trust

Search

Photographic Terms

TIFF (Tagged Image File Format):
Extension: .tif
A bitmap, up to 24-bit color file format originally designed by Aldus to support imaging and desktop publishing applications. The TIFF file format is a cross-platform, cross-application file
format. The format is supported by almost all imaging, graphics and paint applications and uses various lossless compression schemes. Probably the most versatile file format!

Click here for more definitions...