Unlike the entry-level models of its competitors which have 1 2 10 or 16 channels the 100LT system offers 63 user-selectable channels in the 794-806MHz band. Both the new receiver and body-pack transmitter are housed in small 3 7/8" x 2 3/8"...
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The 200ULH is a complete dual-channel wireless system that consists of the 200UPR receiver and one each 10HT handheld transmitter and 10BT bodypack transmitter.The new 200UPR receiver allows the use of two wireless transmitters at the same time....
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The 200ULT is a complete dual-channel wireless system that consists of the 200UPR receiver and two 10BT transmitters.
The new 200UPR receiver allows the use of two wireless transmitters at the same time. It features twin-antennas, a 3.5mm -64dbB...
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A frequency-agile UHF plug-in transmitter which converts wired low impedance mics into wireless microphones. The 63-channel user-switchable transmitter features separate Power On/Off (with LED indicator) and Audio Standby switches along with...
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The ECM44H is a Sony omni-lapel microphone with a wired 4-pin connector for most UHF body-pack transmitters. This electret condenser microphone requires a bias voltage of 5-9VDC which all Azden bodypack transmitters provide.
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A portable 2-channel field mixer designed for use by the professional videographer, the small (4" x 1.65" x 5"), all metal, battery operated (9V) mixer can be attached directly to the camera with supplied hook-and-loop mounting tape or belt-worn...
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A portable 3-channel field mixer with phantom power, the FMX-32 is designed for use by the professional videographer. The small ( 1.96 x 6.69 x 4.33 inches), all metal, battery operated (6-“AAâ€) mixer can be attached directly to the camera...
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The HS-9 Multi-purpose omni-directional headset microphone with a wired mini-jack (3.5mm). This electret condenser microphone requires a bias voltage of 5-9VDC which all Azden bodypack transmitters provide.
The Phamtom-Powered Azden SGM-1000 comes with a windscreen and Azden's unique shockmount holder with integrated shoe-mount. Designed for Video and Audio Professionals, the SGM-1000 is a highly directional shotgun microphone with a wide frequency...
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The SGM-1X Professional Shotgun Microphone is designed to provide quality audio for the videographer. It is ideal for today’s smaller, digital video cameras where longer models would appear in the frame when camera mounted. The hyper-directional...
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The SGM-2X Professional Shotgun Microphone System is designed for both the Pro-Sound and Broadcast markets. The microphone comes with two barrels making it either an omni (8.11" long) or, by adding the extension barrel, a supercardioid (15.75"...
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Designed specifically for use with mini DV cameras the SGM-X is a professional super-cardioid shotgun microphone with a wide frequency response and low noise levels. Powered by a supplied LR-44 battery the mic comes complete with a shoe-mount...
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Designed for Canon video cameras with the Advanced Accessory Shoe, the DM-50 microphone synchronises seamlessly with the camera to provide high quality audio.
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Sturdy desk stand mount for a wide range of microphones – ideal for the RØDE Podcaster. It features adjustable stand height from 280mm (11â€) to 400mm (15 2/3â€)and includes two cable clips and a 5/8†to 3/8†thread adaptor.
Base...
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The M3 is an extremely versatile microphone that is at home in the studio, on location, or wherever a low-noise wide-response cardioid condenser microphone is demanded. The M3 also comes complete with windshield and a stand mount, and can be...
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The Mini Boom Pole is a shorter and lighter version of the standard Rode Boom Pole. In many applications such as news gathering, there is no need for a long mic pole, and by removing sections; the Mini is considerably lighter and so easier...
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